![]() Don’t let objects you can easily edit out draw attention away from your subject. “A lot of the time, I’ll take out different poles and things in the background,” Petty explains. You can also edit out distracting elements in your post-production work. I make custom edits to the car and the location,” Petty says. You can also apply filter-like Lightroom presets of your best edits to entire batches from the same vehicle’s shoot. Lightroom makes it easy to organize your work and find your favorites. To find the perfect shots of any vehicle, you may have to sift through a number of photos. Just because your subject isn’t human, it doesn’t mean you can’t have it (and the owner) work with you to get the right pose. Keep the scenery and your composition in mind. If the location isn’t right or is affecting your ability to follow the rule of thirds (or other photo composition best practices), play around with where and how the car is positioned. Next, dive into the detail shots like close-ups of the headlights, front badge, arrow bits, side skirt, and mirrors - get in tight on any details that make the car unique. You can shoot the side of the car from a low angle that starts at the front wheel, for example. Once you’ve captured good angles of the entire vehicle, move on to cropped shots. Just play around with the angles and find which ones look best.” You can practice with any car - it doesn’t even have to be a fancy car. “Every car looks best at a three-quarters angle. “One of the biggest tips l give beginners is to know the angles of cars,” Petty explains. “If I’m shooting cars that are brighter - like an orange car - I would shoot in a darker spot, either during sunset or where there’s a shadow.” “Darker cars look great against brighter backgrounds,” says Li. You have to find the right lighting.”Īim for a background that offers contrast to the car’s hue and shade. Purple is a really challenging color to capture. “I’d say the hardest paint coat on a car is probably purple. If you’re dealing with a special color, those get tougher,” says Petty. “Black and white cars are really the only ones that you can take pretty much anywhere. The color of the car will also help determine the best setting for the shoot. On the other hand, a car built low to the ground might look best on a smooth city street or in front of an old brick wall by a factory. If you’re photographing a Jeep that does well off the beaten path, you might want to take it onto some rocky terrain, safety permitting. “It’s a way to capture the beauty of the machine, and it’s also about capturing action, whenever you get moving shots.”ĭifferent terrains and settings will work better for different cars. “Car photography captures what car enthusiasts really love - the styling, the aggressive looks, all the modifications that people do, and people’s builds,” says Petty. Whether you’re into cars for the speed, the looks, or the souped-up modifications, car photography can put you in the pits with beautiful machines and the like-minded people who love them. ![]() ![]() You’re trying to match it with the correct background, the right light - there’s a lot that goes into it,” says photographer Aedan Petty. “You’re trying to find the right angles on the car. It’s a love letter to rides and whips, a mix of product shots and ways to immortalize the space where craft meets engineering. To capture everything from automotive advancements to car culture meetups, professional car photography has picked up speed to become an art of its own. Watch video of that and some other songs from the show below.From vintage muscle cars to a luxurious Mercedes or the newest Lamborghini, people are passionate about cars. Last night, Nine Inch Nails covered Filter’s “Hey Man Nice Shot.” When NIN were inducted into the Rock Hall, Patrick seemed upset over not being included, though he was mentioned in the speech that Reznor gave during the ceremony. Patrick, who was a part of Nine Inch Nails’ live lineup in the earliest days, said a few years ago that he quit the band after Reznor suggested he make some extra cash delivering pizzas. Among them were Chris Vrenna and Donny Lohner, who were inducted into the Rock Hall alongside NIN in 2020, and Charlie Clouser and Richard Patrick, who were not. Those members stuck around town for the show and came out toward the end of NIN’s set. Nine Inch Nails performed at the Blossom Music Center right outside of Cleveland on Saturday night, the day after Trent Reznor got together with a whole lot of Nine Inch Nails members past and present for a livestreamed chat at the Rock And Roll Hall Of Fame.
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